Hybrid Photography: Intermedial Practices in Science and Humanities
Hybrid measurementHybrid photography in the history of science: the case of astronomical practiceThe map as a photograph: Theodor Scheimpflug’s balloon aerial photogrammetrySeen from above: Wilhelm Halffter’s photographs of 1854, depicting the terrain models of Hermann and Adolph SchlagintweitIn order of disappearance: photography, measurement, and art historical practice in nineteenth-century GermanyHybrid materiality“Imageability”: aligning bodies and imaging technologiesBeyond retouching: Hans Virchow’s mixed media and his X-ray drawings of the lotus footFrom photography to printing: the chronophotography of Etienne-Jules MareyEntangled environments: diorama, photography, and the staging of natural surroundingsReconfiguring the use of photography in archaeologyHybrid reproduction“The camera that takes a face can take a page”: microfilm as a scientific aidStereo atlases as hybrid knowledgeRetouching, staging, and authenticity: early animal photography and the tradition of popular zoological illustration around 1900“Offering pleasures to the eye”: Max Semrau’s Kunst des Altertums (1899), its illustrations, and art history’s ignorance toward reproductionFantasy of a world without humans
