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Artificial Intelligence in Cultural Production: Critical Perspectives on Digital Platforms

Artificial intelligence in popular culture Convergence of AI, digital platforms, and popular culture What is artificial intelligence in popular culture?Convergence of Al, digital platforms, and popular culture Al moves toward a digital platform Conclusion AI, cultural policy, and the rise of counter-neoliberalism Al policies and the increasing tendency of counter-neoliberalism State-led Al policies in the Global North State-led Al policies in the Global South Counter-neoliberal Al policies in the media and cultural spheres Necessity of human-centered norms in the Al era Conclusion Artificial intelligence and cultural production Al and the production of popular culture Encounters of Al and popular culture: the Global North Encounters of Al and popular culture in the Global South Political economy of the convergence of Al and popular culture Conclusion Netflix’s effects in transforming global cultural norms Emergence of Netflix as a global digital platform Al reshapes the norms of cultural distribution Transforming local audio-visual culture Netflix effects in the local OTT platform industry Conclusion Personalization of culture in the AI era Disempowering empowerment of users in the Al age The personalization of culture: the relationship between platforms and audiences Personalization vs. network society Conclusion AI journalism, social media platforms, and fake news Al and the platformization of journalism Transformation of journalism in the age of Al Fake news, Al, and digital platforms Human journalists in the age of Al journalism Conclusion New media ethics in the age of AI Transparency, diversity, and Al ethics Al algorithmic bias, fairness, and surveillance Social inequalities and asymmetrical power relationships Critical interpretation of media ethics in the Al-driven cultural industry Conclusion What is the next direction in Al-saturated cultural production?

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Artificial intelligence and cultural production
Introduction In the 2020s, people are living in a world where digital technologies are influencing cultural production as well as people’s daily activities. What is different from a decade or so is that the major tools of the transformation in cultural production are now based on Al that is connected...
(Artificial Intelligence in Cultural Production: Critical Perspectives on Digital Platforms)
Artificial intelligence in popular culture
Introduction David (22) who lives in Vancouver, Canada, always checks cultural content on digital platforms, in particular his Apple iPhone. After watching a movie trailer of Morgan—created through artificial intelligence—a 2016 American sci-fi horror film on YouTube in March 2020, he immediately...
(Artificial Intelligence in Cultural Production: Critical Perspectives on Digital Platforms)
What is artificial intelligence in popular culture?
Artificial intelligence is not a new concept, and the origin of Al goes as far back as Greek antiquity. Nevertheless, it was less than 100 years ago that the technological revolution took off and Al went from fiction to plausible reality (Shani, 2015). Due to its complexity, there are various definitions...
(Artificial Intelligence in Cultural Production: Critical Perspectives on Digital Platforms)
Critical perspective on cultural values and beliefs
The treatment of cultural values and beliefs as a discrete set of orientations, ideas, and explanatory models, however, readily contributes to the formation of stereotypes. Such stereotypes, as seen in our treatment of cultural competence and cultural humility in Chapter 1, can lead to unfair and unequal...
(Spanish in Health Care: Policy, Practice and Pedagogy in Latino Health)
Computers and Artificial Intelligence
Some people who work in artificial intelligence argue that the case of the human brain is not really very different in principle from the case of very sophisticated computers. No matter how long you look at the physical hardware of a computer, you will never see sentences and thoughts. Yet computers...
(The Big Questions in Science and Religion)
An Evolving and Developing Field of Study: Prosocial Morality from a Biological, Cultural, and Developmental Perspective
Scholars have long debated the aspects of our species that define us as distinct from other species. Early theorists suggested that our ability to engage in self-reflection and abstract thinking is uniquely human, others assert that our capacity for empathy is characteristic of humans, and still others...
(The Evolution of Morality)
Drought Modelling Based on Artificial Intelligence and Neural Network Algorithms: A Case Study in Queensland, Australia
Kavina Dayal, Ravinesh Deo and Armando A. Apan List of Acronyms ANN Artificial Neural Networks AWAP Australian Water Availability Project BFGS quasi-Newton Broyden-Fletcher-Goldfarb-Shanno quasi-Newton d Willmott’s Index of Agreement E Nash-Sutcliffe Coefficient of Efficiency...
(Climate Change Adaptation in Pacific Countries: Fostering Resilience and Improving the Quality of Life)
The Cognitive Revolution and Artificial Intelligence
1. How is Chomsky’s view of language different from Watson’s? How does he argue against Watson’s position? 2. What was the cognitive revolution? How was the computer central to it? What did the computer provide? Would the cognitive revolution have occurred without the computer? Why, or why not?...
(Consciousness from a Broad Perspective: A Philosophical and Interdisciplinary Introduction)
Subcultural Clusters and Blurry Boundaries: Considering Art Worlds and Fields of Cultural Production through Localized Manga Production in Hungary
Zoltan Kacsuk The 2006 autumn AnimeCon in Budapest was a milestone for the Hungarian anime and manga1 market and fandom in several respects, one of which was the introduction of official Hungarian tankobon.2 The first volumes of Usagi Yojimbo (which is in fact a US comic), Warcraft: The Sunwell...
(Cultures of Comics Work)
On Art Worlds and Fields of Cultural Production
It is no surprise, then, that both Becker’s Art Worlds approach (1982) and Bourdieu’s framework from The Field of Cultural Production and The Rules of Art (1993, 1996) are obvious candidates for making sense of this social environment, as both draw attention to the number and...
(Cultures of Comics Work)