Notes

1. According to Santiago, four Spanish bloggers coined the term gafotaku on Twitter, a portmanteau ofgafapasta (pseudo-intellectual hipster) and otaku, to label experienced, mature, and critical manga fans.

References

Banks, Mark. 2007. The Politics of Cultural Work. New York: Palgrave Macmillan.

Beaty, Bart. 2012. Comics Versus Art. Toronto: University of Toronto Press.

Becker, Howard S. 1982. Art Worlds. Berkeley: University of California Press.

Bourdieu, Pierre. 1993. The Field ofCultural Production. Cambridge: Polity Press.

Brienza, Casey. 2010. Producing Comics Culture: A Sociological Approach to the Study of Comics. Journal of Graphic Novels & Comics 1(2): 105-119.

-. 2012. A Reply to Simon Locke. Comics Forum (blog), January 20. http://

comicsforum.org/2012/01/20/a-reply-to-simon-locke-by-casey-brienza/

-, ed. 2013. Comics and Cultural Work, special series. Comics Forum (blog),

December. http://comicsforum.org/comics-forum-archives/website-archive/ comics-and-cultural-work

-. 2015. Global Manga: “Japanese” Comics Without Japan? Farnham:

Ashgate.

Deuze, Mark. 2008. Media Work. Cambridge: Polity Press.

Eisner, Will. 1985. Comics and Sequential Art. New York: W.W. Norton and Company.

Gabilliet, Jean-Paul. 2010. Of Comics and Men: A Cultural History of American Comic Books. Trans. Bart Beaty and Nick Nguyen. Jackson: University Press of Mississippi.

Hatfield, Charles. 2005. Alternative Comics: An Emerging Literature. Jackson: University Press of Mississippi.

Heer, Jeet, and Kent Worcester, eds. 2007. A Comics Studies Reader. Jackson: University Press of Mississippi.

Hesmondhalgh, David, and Sarah Baker. 2011. Creative Labour: Media Work in Three Cultural Industries. New York: Routledge.

Jenkins, Henry. 2008. Convergence Culture: Where Old and New Media Collide. New York: NYU Press.

-. 2014. Scott McCloud Reimagines the Future of Comics. Confessions of an

Aca-Fan: The Official Weblog of Henry Jenkins (blog), November 7. http://hen- ryjenkins.org/2014/11/scott-mccloud-reimagines-the-future-of-comics.html

Jenkins, Henry, Sam Ford, and Joshua Green. 2013. Spreadable Media: Creating Value and Meaning in a Networked Culture (Postmillennial Pop). New York: NYU Press.

Johnston, Paddy. 2013. Comics and the Day Job: Cartooning and Work in Jeffrey Brown and James Kochalka’s Conversation #2. Comics Forum (blog), December 17. http://comicsforum.org/2013/12/17/comics-and-the-day- job-cartooning-and-work-in-jeffrey-brown-and-james-kochalkas-conversation- 2-by-paddy-johnston/

Johnston, Paddy. 2015. Bad Machinery and the Economics of Free Comics: A Webcomic Case Study. Networking Knowledge: Journal of the MeCCSA Postgraduate Network 8(4). http://ojs.meccsa.org.uk/index.php/netknow/ article/view/387.

Locke, Simon. 2012. Constructing a Sociology of Comics. Comics Forum (blog), January 13. http://comicsforum.org/2012/01/13/constructing-a- sociology-of-comics-by-simon-locke/

Lopes, Paul. 2009. Demanding Respect: The Evolution of the American Comic Book. Philadelphia: Temple University Press.

Lovell, Nicholas. 2013. The Curve: From Freeloaders into Superfans: The Future of Business. London: Penguin.

Lyons, James, and Paul Williams. 2010. The Rise of the American Comics Artist. Jackson: University Press of Mississippi.

McCloud, Scott. 1993. Understanding Comics: The Invisible Art. New York: HarperCollins.

-. 2000. Reinventing Comics. New York: HarperCollins.

McRobbie, Angela. 2014. Be Creative: Making a Living in the New Culture Industries. Cambridge: Polity Press.

Miller, Tom. 2013. My Brief Adventure in Comic Book Retail. Comics Forum (blog), December 23. http://comicsforum.org/2013/12/23/ my-brief-adventure-in-comic-book-retail-by-tom-miller/

Murray, Padmini Ray. 2013. Behind the Panel: Examining Invisible Labour in the Comics Publishing Industry. Publishing Research Quarterly 29(4): 336-343.

Peterson, Richard A. 1982. Five Constraints on the Production of Culture: Law, Technology, Market, Organizational Structure and Occupational Careers. Journal of Popular Culture 16(2): 143-153.

Rogers, Mark C. 2006. Understanding Production: The Stylistic Impact of Artisan and Industrial Methods. International Journal of Comic Art 8(1): 509-517.

Taylor, Stephanie, and Karen Littleton. 2012. Contemporary Identities ofCreativity and Creative Work. Farnham: Ashgate.

Woo, Benjamin. 2013. Why Is It So Hard to Think About Comics as Labour? Comics Forum (blog), December 9. http://comicsforum.org/2013/12/09/ why-is-it-so-hard-to-think-about-comics-as-labour-by-benjamin-woo/

-. 2015a. The Work in Comics Project. http://www.benjaminwoo.net/

work-in-comics/

-. 2015b. Erasing the Lines between Leisure and Labor: Creative Work in

the Comics World. In Performing Labor in the Media Industries, ed. Kate Fortmueller. Special issue, Spectator: Performing Labor in the Media Industries 35 (2): 57-64.

 
Source
< Prev   CONTENTS   Source   Next >