Playful Memories: The Autofictional Turn in Post-Dictatorship Argentina
The Autofictional Turn, Playful Memories of Trauma and the Post-Dictatorship GenerationsTestimonies and the Preservation of Historical MemoryRepresentation, Fiction and AllegoryAnachronism and AutofictionArgentine Autofictions, Affect and the Subjective TurnPlaying with TraumaNotesToying with History in Albertina Carri’s Los rubiosPlay as Topsy-Turvy SacredAlbertina Carri’s KampfToy (Hi)stories and PlaybacksNotesSelf-Fictionalization, Parody and Testimony in Diario de una princesa montonera—110 % Verdad and MontonerisimaHuachos: From Postmemory to Post-orphanhoodA (Cyber) Damsel in DistressA New Lexicon of TerrorNotesHappily Ever After? Guerrilla Fables and Fairy Tales of DisappearanceSi Alice viviera sema MontoneraLos ninos del Proceso in Never (Again) LandThe Enchanted GenerationNotesLucila Quieto’s Ludic GazeIndexicality and VictimhoodProsthetic Memories of AbsenceCrafting HistoryPhotographing the Invisible(Generational) Ways of SeeingOutside the LinesNotesThe Defamiliarized Past in Felix Bruzzone’s Comical AutofictionsLas chanchas: Stranger than RealityThe Hamlet Generation and a Multidirectional Memory of DisappearanceBecoming AnimalsNotesMonstrous MemoriesThe Copyright of MemoryThe Unwelcome LegacyAutofiction as a MonstrosityNotesBibliography
